Brett Whiteley: Catalogue Raisonné: 1955–1992 - Kathie Sutherland Brett Whiteley: Catalogue Raisonné: 1955–1992 - Kathie Sutherland Brett Whiteley: Catalogue Raisonné: 1955–1992 - Kathie Sutherland Brett Whiteley: Catalogue Raisonné: 1955–1992 - Kathie Sutherland Brett Whiteley: Catalogue Raisonné: 1955–1992 - Kathie Sutherland Brett Whiteley: Catalogue Raisonné: 1955–1992 - Kathie Sutherland Brett Whiteley: Catalogue Raisonné: 1955–1992 - Kathie Sutherland Brett Whiteley: Catalogue Raisonné: 1955–1992 - Kathie Sutherland

Brett Whiteley: Catalogue Raisonné: 1955–1992

Kathie Sutherland


ISBN: 9781760641719
Description: Compiled by art historian Kathie Sutherland over seven years, this seven-volume set of cloth-bound books is presented in a deluxe, elegantly finished slipcase and presents more than 4600 artworks, including hundreds of never-before-published works. Weighing 21 kilograms and totalling 2400 pages, this catalogue Brett Whiteley: Catalogue Raisonné 1955-1992 is an unprecedented publishing event that confirms Whiteley’s enduring significance as a visionary force of Australian art.
Limited Edition: This one-off print release is limited to 1000 copies, with each individual set foiled with a unique number in the series and presented in bespoke packaging.
Details: Slip Case 7 Books , 2400 Pages in Total
Publication Date: March 2020
Format: Boxed Set Limited Edition

$1,500.00


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$9.00 postage - For any number of books, anywhere in Australia

$9.00 postage

For any number of books, anywhere in Australia

The first comprehensive publication of Whiteley’s artistic oeuvre

This monumental seven-volume collection chronicles a lifetime of work in exhaustive detail. Compiled by art historian Kathie Sutherland over seven years, the set of cloth-bound books is presented in a deluxe, elegantly finished slipcase and presents more than 4600 artworks, including hundreds of never-before-published works.

Weighing 21 kilograms and totalling 2400 pages, Brett Whiteley: Catalogue Raisonné: 1955–1992 is an unprecedented publishing event that confirms Whiteley’s enduring significance as a visionary force of Australian art.

Volumes I, III and IV hold paintings and drawings from the 1950s to the 1990s; Volume II contains exquisite concertina fold-outs of the mammoth Alchemy and The American Dream; Volume V contains Whiteley’s prints; and Volume VI compiles his ceramics and sculpture. A final book, Volume VII, holds essays, a cataloguing text, an exhibition history, an artist’s biography, a bibliography and an index of persistent themes that lend insightful form to the expanse of Whiteley’s rich and varied oeuvre.

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